Want to know how to create that Bass House
sound? Welcome to class. In this introduction, you will meet your instructor,
Phillip. He will give you the rundown of what to expect and how to create
sounds for Bass House. This course is straightforward, to the point and shows
every step in great detail. Phillip is using FL Studio and Serum. While it is
not required, if you have it, feel free to follow along.
Video 2 - How to create the “Whomp” sound
Ready to get started? Join Phillip as he
starts with a basic tone and in just 3 minutes you'll hear it transform into an
awesome “Whomp” sound. To get started you will learn how to set up 2
oscillators. You will then learn how to shape the sound by adjusting the LFO
and how to use FM synthesis.
Video 3 - 7th Bass
It's time we add some beefy layers. In this
video, Phillip shows you how to use different oscillator types and the effects
of changing octaves and semi-tones. Phillips will show you how to apply a cut
off filter and the modification of a standard LFO. You will also learn how a
mono sound can have a stereo feel.
Video 4 - Fuzzy Bass
It's time to shake the walls and rattle the
Earth. Phillip gives you his recipe for a pre-drop or transitional filler bass
sound. You won't believe how simple it is to create a phat distorted bass line
that is crystal clear.
Video 5: - Wobble and Whomp
Ever end up with too much high end? Phillip
shows you an easy fix for balancing out the highs. The sound in today's lesson
will be utilizing an FTT wavetable and an analog oscillator. He will show you
how the oscillators interact and come together to create a totally pro sounding
whomp that wobbles.
By the end of this lesson, you will know
how to modify the LFO and give it a slope as well as how to create movement in
sound.
Video 6 - How to Lead
A good lead is an attention grabber to
listeners. In this section, Phillip changes octaves on stock oscillator sounds
and applies hyper dimension and other effects to create a powerful lead tone
good for break down melodies.
Video 7 - High-end Drop layer
For this session, you may want to take some
notes. There are several steps that you don't want to miss. You will be
multi-routing the LFO to both oscillators, changing the chorus pitch,
discovering the benefits of adding some noise and pilling on some subtle
effects.
Video 8 - Making your synth speak
It’s not Halloween but Phillip is making
some creepy talking sounds that will blow your mind.
Shaping oscillators and using bit crusher
distortion. It's time to learn how to make your synth sound speak. Wrapping up
this lesson Phillip demonstrates how to widen the creepy talking synth sound.
Video 9 - Lead 2
This is a fantastic session as Phillip
shows you how to make a stellar lead sound. Using 2 oscillators and 8 unison
voices you will hear the impact of increasing porta, the use of
envelopes(A.D.S.R.) and how making small adjustments can smooth and shape your
sound to perfection. You will also learn how to route different modifications
to each oscillator and how to make the gliding down effect.
Video 10 - Shift Lead
Now you will be shaping the sound of the
lead used for the Drop. Using the electric guitar oscillator and applying
multi-effects phaser and flanger. Phillip also shows how to eliminate too much
low end by adjusting octaves on the oscillators.
Video 11 - Bass Pluck
In this video, you will learn how to make a
metallic rhythmic sounding bass pluck. Phillips also details how to remove any
clicking noises, how to EQ in the mid-range and how to widen the sound by
cloning and adding unison voices.
Video 12 - Creating Reese Bass
Reese Bass is the sound heard more in DnB.
Phillip will show you how to create the sneaky creeper bass while explaining
how to achieve the 2 most usable type of Reese bass. The high end and the
darker low end. You will also hear different combinations and modifications to
make the sound more diverse.
Video 13 - Thump
How to make deep thumping bass for your
drop. Phillip demonstrates removing sustain and how to place the attack to get
a plucking sound. You'll end up with a great distorted percussive thumpy bass
sound.
Video 14 - Drop Sequences
Apply all you have learned and you are
ready to step it up. Phillip will draw shapes in LFO 1, 2, and 3. Using one to
create movement, one delayed to ad more control and shape, and 3 to create pulsations
in the sound.
Also available in this bundle
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